Tuesday, November 6, 2007
By Lorin Hancock, chief consultant on radio station glazing/assistant editor*

This weekend I had the chance to travel to Pittsburgh to visit my famous friend, radio personality Cindy Howes. Cindy is the Morning Mix DJ for WYEP, and you can listen to her show here from 6-10 weekday mornings. I’m listening to it now, and the entire Glass Magazine staff is rockin’ along.**

Now that the plug is out of the way, I can get on with the rest of my important piece of journalism.

I rode my bike from DC to Pittsburgh, only stopping six times to sleep for the night. Honestly, in the time since my last post, I did regret abandoning my Hummer. However, upon tracking it down I learned that it had been turned into a Filene’s Basement, so I just counted it as a loss. Too bad I still owe $50k on it.

Pittsburgh is an exciting place, full of fun people and even better food. The only thing they don’t have is a locally published magazine about glass. They do, however, have a kick-fanny radio station in an awesome LEED certified silver building. And oh, the glass!

Cindy and production director Brian Siewiorek showed me around, pointing out the wheat board furniture, the milk cap carpet, the blue-jean ceiling, the corn floor, and yes, the glass! Ninety percent of the light in the building comes from daylighting. Even on a cloudy Pittsburgh day the office was a bright, shiny, happy place. Brian mentioned how great it is for someone with Sun and Seasonal Affective Disorder. Yes, I thought, suddenly realizing that my caustic nature has nothing to do with my personality and is due entirely to the fact that I work in a windowless office. Sahely, please take note of this.

Cindy and Brian take time out of their busy schedule to pose for this photo. Notice how bright it is, with no overhead lights. That's no flash; that's daylighting!

The sound booth looks pretty cool, too. “How does this work?” I asked.
“Well the plastic—“
“Oh, then I don’t care.”
“There’s glass, too.”
“Oh, ok! Go on!”
As it happens, the window to the booth is glass, and the inside is lined with curvy, camel-hump-like plastic (and yes, that is the technical term) to um, do good acoustical stuff.***

Cindy went off to program her show and I had fun pretending to be a DJ (see picture above). And only one person asked me what I was doing there, so I must have looked pretty natural. If only there was a radio station that broadcast material related to glass and glazing, I would consider switching professions.

Although Pittsburgh was fabulous, it’s nice to be back at Glass Magazine. We don’t have 90 percent daylighting and we don’t have blue-jean-ceilings, but we do our part. For example, I took the initiative and turned off the AC that was running all weekend in the kitchen, despite the fact that it’s 40 degrees outside. Because we all have to help save the environment.

PS- to James Bogdan, if you’re reading this: next time I go to Pittsburgh I’m going to want a tour of that fancy PPG building. Got it? Thanks.

*note the promotion!
**Cindy did not pay me to say this. Also, glass media professionals do not really rock; they sway.
***I am a glass media professional, not a sound media professional.

Monday, October 15, 2007
—By Katy Devlin, e-Newsletter Editor

Do you remember when “green” was just a color? I don’t.

I was born in 1983, a decade after fuel prices spiked to shocking levels—so I’ve been told by people much older than I—jump starting the environmental movement. Though prices fell, and America got comfy again with cheap energy, the eco-friendly fire had started to spread.

In this post-oil embargo age, I grew up proudly as part of what I call generation green. Ever since I can remember, “green” lived in my environmental vernacular right along with the mantras “save the rainforest,” “no CFCs,” and “reduce, reuse, recycle.”

Yes, the green generation learned and lived environmental responsibility in every part of life.

Science classes taught biology, chemistry and environmental studies. And every year, I joined students across the country as environmental soldiers on Earth Day, picking up trash in nearby parks, creating recycling plans for their homes and schools, and planting trees.

Even popular media got on board. Anyone else remember Captain Planet? He was the cartoon environmental superhero who that told kids “the power is yours,” to save the world from pollution and environmental waste. And who in my generation could forget the heart wrenching “Oil Episode” of Saved by the Bell where Zack Morris and crew weighed the importance of money with the lives and heath of animals when oil was discovered under the Bayside High football field. (Read a recap here, but all you really need to know is that a good lesson was learned by all).

I find it very fulfilling in my adulthood to witness ever-increasing attention to all things green (who would have ever thought Al Gore would become an Oscar winner and Nobel Peace Prize recipient?).

Watching big strides taking place right here in our industry has been even more exciting. Glass companies come up with greener products and greener manufacturing processes every year. And as a result, our buildings are becoming more efficient.

There’s still a lot of work to be done—buildings still use up about 1/3 of the nation’s energy and 2/3 of the nation’s electricity—but, we’re getting there.

I can’t wait to see what changes will happen when the next generation—perhaps generation extreme-green?—comes of age.

Monday, October 15, 2007
Posted by Lorin Hancock, chief solar-powered-structures-related-news editor/editorial assistant

I went down to the National Mall yesterday to check out the Solar Decathlon that runs until the end of the week. It was only about eight blocks from my apartment, but I decided to take the Hummer. Lucky for me, I found a parking spot after only an hour of circling the monuments.

The first thing that struck me upon entering the festival was the lack of bell-bottomed, flower-haired, patchouli-soaked hippies. Now I just felt silly, having dressed that morning to fit in with such a crowd. As it turns out, the so-called “green movement” is catching on; there were more people at that festival yesterday than voted in the last presidential election.*

There may or may not have been more people here than voted in the previous presidential election.

I met up with James Bogdan, manager of green building initiatives for PPG. Like an episode of “Reading Rainbow,” he let me tag along while touring a couple houses and chatting with the people who built them. The experience blew my mind. I learned so much, and James’ enthusiasm was contagious.

As excited as I normally am about glass, I was jumping up for joy when I saw some of this energy efficient stuff. You know how in spring or fall you can put your hand against your window to see how cold it is to decide whether to bring that extra sweater? Well, with this glass, that doesn’t work! It was hot yesterday--witness my sunburn-- but when I put my hand on that glass it was cool as a cucumber, even with direct sunlight pouring in. This is great news for those of us who live like vampires in summer to save on cooling costs. And yes, it’s great for the environment, too.

While these solar houses were impressive, I asked James how I was supposed to get anything out of this since I don’t see myself attaching solar panels to my basement apartment any time soon. He said it was all about efficiency and conservation: “the least expensive energy is the energy that’s not used.” He recommended I start small, with those energy-efficient light bulbs that everyone’s heard of. I actually am ahead of the game on that one, out of pure laziness. Do you know, if you screw one of those things in today, you won’t be changing it for at least five years? To those of us that change light bulbs with a two-and-a-half-legged stool propped up by phone books, this could literally be a life-saver.

The afternoon sparked an initiative for change inside me. My first step of turning that new, energy-efficient leaf was to abandon my Hummer, which I think may have been towed anyway. Instead, I stole a bike and peddled home. Though saving the environment is an uphill battle, much like my bike ride home, I’m confident that the American public will soon come to grips with the changes that they individually have to make to stop killing our planet. And if you don’t make those changes? Well, you might just die trying to change a light bulb. That’s something to think about.

*This is probably not accurate.

Monday, October 8, 2007
—By Sahely Mukerji, managing editor, Glass Magazine/AutoGlass magazine

I took the 7 a.m. flight out of Milan this morning and was dozing uncomfortably in my cramped seat. As the attendant’s slightly annoying voice on the PA system woke me up, I looked outside the window and saw the Eiffel Tower standing proud, bathed in the morning light. Beautiful Paris.

I haven’t traveled much in Europe, but from my limited experience, seems like some of the big cities in France and Italy have similar characteristics: the past and the present make up the rich fabric of their being.

I got a chance to go to the Milan city center on the last day of the Vitrum show. Our booth hostess had brought me a copy of the “underground network and urban railway system,” or the subway, and Denise, my colleague, and I decided to take the subway in. Manuela, our hostess and a sweetheart, offered to come along to make sure we got off at the right station.

We caught the red line at Rho Pero and got off at Lima. The street we surfaced on, Corso Buenos Aires, was lined with stores of every possible kind of merchandize under the sun: clothes, shoes, jewelry, household items, you name it, along with charming little cafes with outside seating. The little umbrellas, the cane chairs and the people sitting and drinking wine reminded me of Champs Elysees, Paris. It was a little overcast all day, and as we started walking, a cool wind began to blow.

The street was teeming with people: beautiful women with long flowing dark hair, brief skirts and colorful scarves; men in jeans or suits and slicked back hair. Ever so cosmopolitan.

As I happened to look to the side, I saw a quiet street right off of the main drag of Buenos Aires, lined with old style architectural buildings, huge ornate doors, looming up against the rain-filled clouds. What a contradiction. Two worlds of historic old Italy and the urban fashion capital of the world residing in harmony next to each other. What could be more beautiful?

If I had time I’d keep walking on Buenos Aires to the Duomo di Milano, sit there and watch people walk by. But the rain started pattering down and we had to hail a cab to go back to the hotel.

Now, as I sit in the plane and the flight attendant announces touchdown in 30 minutes, I feel a different kind of beauty rise inside of me: I can’t wait to get home to hold my son and smell his sweet head.
Friday, October 5, 2007

  • The city was inhabited by Celtic groups as early as 400 B.C. until the Romans took over in 222 B.C.
  • Mozart composed three operas in Milan.
  • In 1922, Mussolini started his March on Rome from Milan.
  • The Duomo is the second largest church in Italy and the third largest church in the world.
  • The Italian stock exchange is based in Milan.
  • Fiera Milano, where Vitrum is taking place, is the largest exhibition complex in the world.
Thursday, October 4, 2007
—By Sahely Mukerji, managing editor, Glass Magazine/AutoGlass magazine

Is Vitrum more international than Italian? Really depends on who you ask.

On the second day of the show, people from China, Taiwan, South Korea, Israel, Turkey, Lithuania and from different European countries walked the floor and shopped for machines. Communication consisted of broken English, elaborate hand gestures and vigorous nodding.

I happened to man our NGA booth for a bit while our pretty Italian hostess, Manuela, went to eat lunch. At least three people came by in a span of 15 minutes and asked me questions in Italian. My request for English was reciprocated by apologetic nods and amused looks. I speak four languages; only if Italian was one of those four, I fretted.

A few more instances when I regretted not speaking Italian: every time when asking for directions inside the humongous Fiera Milano; when trying to explain my suddenly dead Internet connection at the hotel; and even worse, when trying to book a ticket for the “Last Supper.”

The worst moment of my vernacular vulnerability was this afternoon at the Vacuum Tech & Coating Conference. Mariano Anderle, scientific director, International Union of Vacuum Societies based in the United Kingdom, and president of Italian Science and Technology Association, chose to give his presentation in Italian. His PowerPoint presentation was in English but he decided Italian would be the way to go. Can’t fathom his decision given that he’s a part of an international association and was speaking at an international show, but it sure made me stop and think.

How do you define “international”?

Wednesday, October 3, 2007
—By Sahely Mukerji, Managing editor, Glass Magazine/AutoGlass

Milano, the fashion capital of the world; home of the "Last Supper" and beautiful people who don’t speak much English; a city of charming old buildings and cobble-stone roads; and a metropolis with few taxis.

What’s with the cabs in Milan?

I had to wait about 20 minutes to find a cabbie at the airport; my colleague, Denise Sheehan, reported that she had to wait for two hours yesterday in front of Fiera Milano to find a taxi, and finally shared one with two perfect strangers. This afternoon, Denise and I had to fight off someone who was trying to steal our cab without standing in the line!

Rho Pero, the site of the new Fiera Milano pictured to the right, is outside of the city and some say that’s why the dearth of cabs there. The driver of our taxi, however, had a different story to tell. Apparently, the government of Milan doesn’t allow the cabbies to work for more than 10 hours a day, except for a few special days. Those special days come without any apparent rhyme or reason, and cabbies are permitted to work more to make a few extra euros, but only between 5 p.m. and 8 p.m. “There is a demand, there are customers waiting at street corners, and not just between 5 and 8, but … ” With Vitrum opening today, the cabbies will be allowed to work more than 10 hours until the end of the show.

I’m hoping to find a ride tomorrow without scrapping with anyone.
Friday, September 14, 2007
—By Katy Devlin (aka K. Diddy), e-Newsletter editor, e-glass weekly

In 2006, all of America (or rather, the MTV-obsessed portion of America) watched Making the Band and saw Diddy (formerly Puff Daddy, formerly P. Diddy, now just Diddy) fulfill the dreams of the five girls that now make up the hip-hop group Danity Kane.

If I were Diddy—well actually I’d probably go by K. Diddy—I would have passed on all those grueling dance and voice auditions with 18- to 25-year-old girls and chosen my band from the performers during Live Band Karaoke in Atlanta in conjunction with GlassBuild.

Sarah Porter from All Weather Tempering in Phoenix scheduled the industry event Monday at the 10 High Club. This is the second time Sarah invited glass folks to rock out karaoke-style, but in front of a live band instead of outdated 1980s music videos. The attendance grew from 15 in 2006 to about 100 this year.

As K. Diddy, I would not have worried about finding band members that lacked energy or passion, as jumping, head banging and overall “rocking” seemed natural for all the industry people that braved the stage. Finding perfect pitch performers might have been a bit tougher, but hair bands in decades past never took too much time to get that right either.

The choice for lead singer would be, hands down, Pete "The Real Jovi" Frank, managing editor of Window&Door; magazine, who gave an inspired, exciting and hard-core rendition of Bon Jovi’s “Living on a Prayer.”

Of course, the band would fail miserably without a backup singer, and who better than Sarah "The Siren" Porter (think Joan Jett meets Pat Benatar but with a flare for tempering).

If I really were K. Diddy and had the power to make the band, GlassBuild style, Pete and Sarah would be well on their way to the studio to lay down their first single. By next year’s show, they would already have completed their first sold-out stadium tour.

Auditions for the rest of my hypothetical glass metal band will be next year at the third annual karaoke band night at GlassBuild in Vegas (Oct. 6-8, visit for details).

Wednesday, September 12, 2007
By Jenni Chase, Editor, AutoGlass magazine

Although I’m not a die-hard NASCAR fan, I have a healthy respect for the men and women who hurtle themselves around the racetrack at speeds my Jeep can only dream of. So when I found out Rusty Wallace was signing autographs on the show floor at GlassBuild America on Wednesday, I decided to get a signed piece of memorabilia for my brother-in-law Tyler. Little did I know what I was getting myself into.
As 11 a.m. approached and Rusty settled into the Auto Glass Pavilion, my stomach began doing flip flops. When I took my place in line, my palms began to sweat. Strange thoughts raced through my mind: What would I say to him? What would I do? What if I got up there and turned into a bumbling idiot? What if I clumsily knocked a cup of coffee into his lap, scalding one of NASCAR’s all-time greats and invoking the wrath of hundreds of thousands of fans? By the time I got to the autograph table, I was a nervous wreck.

And then a funny thing happened. I walked up to Rusty, smiled politely and asked him to sign my poster. I didn’t trip and fall into the table; there was no embarrassing coffee incident. Rusty simply shook my hand and gave me an autograph. Oh, and Tyler, I had my picture taken with him too. Eat your heart out…
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